Bible Commentaries

EXPOSITION

This chapter is occupied with some account of the contents of the house, following naturally upon the account of the structure, dimensions, and main features of the building given in the previous chapter. The parallel, so far as it goes, is found in 1 Kings 7:1-51. and 8.

2 Chronicles 4:1

An altar of brass. This in worthier material superseded the temporary altar of the tabernacle (Exodus 27:1, Exodus 27:2), made of shittim wood, and its dimensions five cubits long and broad and three cubits high. Large as was the present altar of brass as compared with the altar that preceded, it fell far short of the requirements of the grand day of dedication (1 Kings 8:64). No statement of the making of this altar occurs in the parallel. The place of it would be between 2 Chronicles 4:22 and 23 of 1 Kings 7:1-51. But that Solomon made it is stated in 1 Kings 9:25, and other references to its presence are found in 1 Kings 8:22, 1 Kings 8:54, 1 Kings 8:64, etc. The position given to the altar is referred to alike in 1 Kings 8:22 and 2 Chronicles 6:12, 2 Chronicles 6:13, as in the court of the temple. It may be well to note that the altar, sacrifice, comes first, and is first spoken of.

2 Chronicles 4:2

A molten sea. The Hebrew of this verse and of 1 Kings 7:23 are facsimiles of one author, except that here קָו stands, where the parallel shows קוֹה, probably the fruit merely of some error in transcription. Verses like these point not to the derivation of Chronicles from Kings, but rather of both from some older common source. This sea of brass superseded the laver of the tabernacle (Exodus 30:18, Exodus 30:28; Exodus 31:9; Exodus 35:16; Exodus 39:39). It was called a sea on account of its size. We are told in 1 Chronicles 18:8 whence David had drawn the supplies of metal necessary for this work. The size of the diameter measured from upper rim to rim (ten cubits) harmonizes, of course, to all practical purposes, with that of the circumference (thirty cubits); it would assist questions connected with the contents of this large vessel, however, if we had been told whether the circumference were measured at the rim, or, as the form of language here used might slightly favour, round the girth. (For these questions, see 1 Chronicles 18:5 below.) This sea for the washing of the priests significantly follows the altar. Beside the general suggestion of the need of purification or sanctification, it here reminds of the fact that the earthly priest and high priest must need the purification, which their great Antitype would not need.

2 Chronicles 4:3

The similitude of oxen. The parallel gives simply "knops" (i.e. flower-buds) in the room of this expression, and no word "similitude" at all, the characters spelling the word for "knops" being פְּקָעִים, and those for "oxen" being בְּקָרִים. The presence of the word "similitude" strongly suggests that the circles of decoration under description showed the likenesses of oxen, not necessarily (as Patrick) "stamped" on the so-called knops, but possibly constituting them. For the ambiguous under it of our present verse the parallel says with definiteness, "under the brim of it." There is intelligibility, at all events, in the ornamentation being of these miniature oxen, presumably three hundred in the circle of the thirty cubits. The symbolism would harmonize with that which dictated the superposition of the enormous vase on twelve probably life-size oxen. There is a general preference, however, accorded to the opinion that the present text has probably been the result of some copyist's corruption, and that the text of the parallel should be followed.

2 Chronicles 4:4

The words of the Hebrew text of this verse and the parallel (1 Kings 7:25) are facsimiles.

2 Chronicles 4:5

An handbreadth. Not זֶרֶת, "a span", but טֶפַח, "the palm of the open hand," the breadth of the four fingers, which Thenius puts at 3.1752 inches, but Conder's table at 2.66 inches. It received and held should be translated, it was able to hold. Three thousand baths. The parallel has two thousand baths, and this latter is the likelier reading. It is, however, conceivable that the statement of Kings may purport to give the quantity of water used, and that of Chronicles the quantity which the vessel at its fullest could accommodate. As to the real capacity of the bath, we are hopelessly at sea. Josephus's estimate of it is about eight gallons and a half, that of the rabbinists about four gallons and a half, and Conder, in the 'Handbook to the Bible,' p. 80, a fractional quantity above six gallons. The largest bowls on the Assyrian bas-reliefs, the silver bowl of Croesus, and the bronze bowl in Scythia (Herodotus, 1.51; 4.81), did not, under the lowest estimate of the bath, hold as much as one-half of the contents of this vast sea of brass of Solomon. The use of this vessel was, as we read in the next verse, for the priests to wash in, or, as some would read, to wash at (Exodus 30:18-20).

2 Chronicles 4:6

This verse, with 2 Chronicles 4:14, 2 Chronicles 4:15, are all here that represent the lengthy account of bases rather than layers, occupying in the parallel verses 27-39 of 1 Kings 7:1-51, which, however, omits to state the use of either sea or layers.

2 Chronicles 4:7

Ten candlesticks of gold. The only allusion to these in the parallel is found later on in part of the forty-ninth verse of 1 Kings 7:1-51. According to their form. This expression, though so vague, might point to the fact that the form of the old candlestick of the tabernacle was adhered to (Exodus 25:31). But considering the recurrence of the same words (1 Kings 7:20), there can be no doubt that the phrase is identical in its meaning with the use found in such passages as Le 1 Kings 5:10; 1 Kings 9:16, and means "according to the prescribed ordinance,"

2 Chronicles 4:8

Ten tables. These tables also (the use of which is given in 2 Chronicles 4:19) are not mentioned, so far as their making is concerned, in the parallel, except in its summary, verse 48 (cf. 1 Kings 7:1-51.), where furthermore only one table, called "the table" (Exodus 25:23), is specified, with which agrees our 2 Chronicles 29:18. It is hard to explain this variation of statement. It is at least an arbitrary and forced explanation to suppose that ten tables constituted the furniture in question, while only one was used at a time. Keil and Bertheau think that the analogy of the ten candlesticks points to the existence of ten tables. The question, however, is, where is the call for, or where are the indications of any analogy? An hundred basins of gold. The Hebrew word employed here, and translated "basins," is מִזְרְקֵי, as also 2 Chronicles 29:11, 2 Chronicles 29:22, infra; and 1 Kings 7:40, 1 Kings 7:45, 1 Kings 7:50; Exodus 27:3; Exodus 38:3; Numbers 4:14; but it is represented as well by the English translation "bowls" in 1 Chronicles 28:17; 2 Kings 25:15; Numbers 7:13, Numbers 7:19, etc. The "pots," however, of our Numbers 7:11, Numbers 7:16 has for its Hebrew הַסִּירוֹת. It were well if, in names such as these, at any rate, an absolute uniformity of version were observed in the translation, for the benefit of the English reader, to say nothing of the saving of wasted time for the student and scholar. These basins, or bowls, were to receive and hold the blood of the slain victims, about to be sprinkled for purification (see Exodus 24:6-8, where the word אַגָּן is used; Exodus 29:12, Exodus 29:10, Exodus 29:20, Exodus 29:21; Le Exodus 1:5, and passim; Hebrews 9:18-20; see also Exodus 38:3; Numbers 4:14,) The Hebrew word מִזְרָק, whether appearing in our version as" basin"' or "bowl," occurs thirty-two times, sixteen in association exactly similar with the present (viz. Exodus 27:3; Exodus 38:3; Numbers 4:14; 1 Kings 7:40, 1 Kings 7:45, 1 Kings 7:50; 2 Kings 12:13; 2 Kings 25:15; 1 Chronicles 28:17; 2 Chronicles 4:8, 2 Chronicles 4:11, 2 Chronicles 4:22; Nehemiah 7:70; Jeremiah 52:18, Jeremiah 52:19; Zechariah 14:20), fourteen as silver bowls in the time of the tabernacle for the meat offering of "fine flour mingled with oil" (viz. Numbers 7:13, Numbers 7:19, Numbers 7:25, Numbers 7:31, Numbers 7:37, Numbers 7:43, Numbers 7:49, Numbers 7:55, Numbers 7:61, Numbers 7:67, Numbers 7:73, Numbers 7:79, Numbers 7:84, Numbers 7:85), and the remaining two in an entirely general application (Amos 6:6; Zechariah 9:15). It is evident, therefore, that the מִזְרָק was not the only vessel used for holding the blood of purification, nor was it exclusively reserved to this use.

2 Chronicles 4:9

The court of the priests. The construction of this court of the priests, withheld here, given there, leaves it ambiguous whether the "three rows of hewed stones and one row of cedar beams "intends a description of fence, as the Septuagint seems to have taken it, or of a higher floor with which the part in question was dignified. The citation Jeremiah 36:10, though probably pointing to this same court, can scarcely be adduced as any support of J. D. Michaelis' suggestion of this latter, as its עֶלְיוֹן (translated "higher") does not really carry the idea of the comparative degree at all. For once that it is so translated (and even then probably incorrectly), there are twenty occurrences of it as the superlative excellentiae. The introduction just here of any statement of these courts at all, which seems at first inopportune, is probably accounted for by the desire to speak in this connection of their doors and the brass overlaying of them. It is worthy of note that the word employed in our text, as also 2 Chronicles 6:13, is not the familiar word חַצֵר of all previous similar occasions, but עֲזרָהַ, a word of the later Hebrew, occurring also several times in Ezekiel, though not in exactly the same sense, and the elementary signification of the verb-root of which is "to gird," or "surround."

2 Chronicles 4:10

The right side of the east end, over against the south (so also 1 Kings 7:39; comp. Exodus 30:18). The sea found its position, therefore, in the place of the tabernacle laver of old, between altar of brass and porch. It must be remembered that the entrance was east, but it was counted to a person standing with the back to the tabernacle or temple, as though he were, in fact, going out, not entering in, the sacred enclosure; therefore on the right side will be southward, as written in this verse.

2 Chronicles 4:11

The pots. As stated above, the Hebrew word is הַסִּירוֹת. It occurs in the Old Testament twenty-seven times; it is translated in our Authorized Version "pans" once and "caldrons" four times. By a manifest copyist's error, the parallel (1 Kings 7:35) has כִירוֹת, "layers," by the use of caph for samech. The use of the סִיר was to boil the peace offerings, though some say they were hods in which to carry away the ashes; and it certainly is remarkable that it is no one of the words employed in 1 Samuel 2:14. In addition to these twenty-seven times, it occurs also four times in Ecclesiastes, Isaiah, Hosed, Nahum, with the meaning of "thorns," and once in Amos it is translated "fish-hooks." The passage in Ecclesiastes (Ecclesiastes 7:6) is additionally remarkable, in the fact that the root occurs twice in the same sentence in its different significations, e.g. "the crackling of thorns under a pot." The shovels. The Hebrew word is הַיָעִים. This word occurs in the Old Testament nine times—in Exodus, Numbers, Kings, Chronicles, and Jeremiah. The use of the shovel was to remove the ashes. The basins should very probably read flesh-hooks.

2 Chronicles 4:12

The pommels. The Hebrew word is גֻלֹת, translated in the parallel "bowls." The word occurs in the Old Testament twelve times, and is translated six times (in Judges and Joshua)" springs," four times "bowls," and twice "pommels." It was an architectural ornament to the capital, in shape like a ball. The chapiters. The Hebrew word is כֹּתֶרֶת, occurring twenty-three times or more, and always translated thus; in modern architecture, the head or capital of the pillar. The two wreaths. The word is כֹּתֶרֶת, occurring fifteen times, and translated seven times "net-work," five times "wreath," or "wreathen-work," once a "snare," once "checker-work," and once a "lattice." These wreaths were of some lace pattern plaiting and festoons of fancy chain-work. The fuller expression of them is found in 1 Kings 7:17, though in description not more distinct, certainly—"nets of checker-work, and wreaths of chain-work."

2 Chronicles 4:13

Four hundred pomegranates. This number of pomegranates substantially agrees with the parallel (1 Kings 7:20), There were two hundred of them on each wreath that encircled the chapiter. The pomegranate was a favourite ornament in work as well as in more solid architectural forms (Exodus 28:33, Exodus 28:34). The popularity of the fruit as food (Numbers 13:23; Numbers 20:5; Deuteronomy 8:8; Joshua 15:32; Joshua 21:25), its simple beauty to the eye (So 2 Chronicles 4:3,2 Chronicles 4:13), and its welcome homeliness, will quite account for this beside any symbolic significance that may have become attached to it. The description of the pomegranate as a fruit may be found in any Bible dictionary, but especially in Tristram's 'Natural History of the Bible.'

2 Chronicles 4:14

Bases. The first mention of these in Chronicles, on which so much is said in the parallel (1 Kings 7:27-39). The Hebrew word is מְכוֹנָה, occurring eighteen times in Kings, twice in Chronicles, once in Ezra, and three times in Jeremiah. These bases were, as may be learnt more fully in the parallel, pedestals of brass four cubits square by three and a half high, supported by wheels a cubit and a half in diameter. The pedestals were richly decorated with mouldings, and with the similitudes of lions, oxen, and cherubim, and with other subordinate ornamental work, and were designed to bear the layers, the use of which is given in verse 6. Verses 6-16 in our chapter strongly suggest, in their repetitiousness, the writer's resort to different sources and authorities for his matter.

2 Chronicles 4:16

Flesh-hooks. Hebrew, מִזְלָגוֹח, occurring twice in Exodus (Exodus 27:3; Exodus 38:3), once in Numbers, and twice in Chronicles. Another form of the same root, מַזְלֵג occurs twice in Samuel, in the same sense of "flesh-hook" (1 Samuel 2:13, 1 Samuel 2:14), where also its use is made dramatically plain. Huram his father; i.e. his chief artist.

2 Chronicles 4:17

In the plain … in the clay; i.e. in the Ciccar (or round, equivalent to the New Testament "region round about ") of Jordan, a distinctive designation of the Jordan valley. The region here intended lies east of the river, in what became the division of Gad. Succoth lay a little to the north of the river Jabbok, which flows almost east to west into the Jordan. Zeredathah; i.q. Zarthan of 1 Kings 7:46; and this latter is in the Hebrew also the same in characters and all with the Zaretan of Joshua 3:16. Very possibly the place is the same as Zererath ( 7:22). The exact sites of these places are not known, though the range within which they all lay is clear. The clay ground; that is," the clay of the ground "(Hebrew). The radical idea of the word here translated "clay" is "thickness," which should not be rendered, as in margin, "thicknesses." The word ( עָב) occurs in all thirty.five times, and is rendered a large proportion of these times "clouds" or "thick clouds" (e.g. Exodus 19:9), clouds being presumably thicknesses in air; but if the subject-matter in question be in wood, or growing timber, or the ground, the word is rendered conformably "thick planks" (1 Kings 7:6; Ezekiel 41:25, Ezekiel 41:26), or "thickets" (Jeremiah 4:29), or "clay" (as here), to distinguish from other lighter or more friable soil.

2 Chronicles 4:20

Candlesticks … lamps, that they should burn after the manner before the oracle. Ten candlesticks, as we learn here and in 2 Chronicles 4:7, supersede in Solomon's temple the one candlestick, with its central shaft lamp, and the three branch lamps on either side of Moses and the tabernacle. This single candlestick was restored in Zerubbabel's temple. The present ten candlesticks, or strictly candelabra, of Solomon are said at one time to have been placed in a row like a rail before the veil, and connected with a chain under which the high priest went on the Day of Atonement into the inner sanctuary. The removal of these candelabra is recorded Jeremiah 52:19. The expression, "after the manner," points to the various and somewhat minute regulation for the lighting, trimming, and keeping alight of the lamps, all or some, of the candelabra (Exodus 27:19-21; Le Exodus 24:1-3). The use of the word for "lamp" ( נֵר) in some passages (1 Samuel 3:3; 2 Samuel 21:17; Proverbs 13:9; Proverbs 20:27; Psalms 18:29)suggests not the part as used for the whole in speaking of the candelabrum, but more probably that the perpetual burning was not of all seven lamps, but of one, the central shaft.

2 Chronicles 4:21

The flowers; Hebrew, פֶרַה, occurring sixteen times, of which number it is translated" flowers "thirteen times, "buds" twice, and "blossom" once. The flower was a part of the ornamentation of the branches of the candelabrum (Exodus 25:31, Exodus 25:33). The tongs; Hebrew, מֶלְקָחַיִם, occurring six times, of which number it is translated five times "tongs," but once "snuffers" (Exodus 37:23). This latter is the correcter translation, perhaps. The instrument, at any rate, was to trim the lamp-wicks (Exodus 25:38).

2 Chronicles 4:22

The snuffers; Hebrew, מְזַמְרוֹת, occurring five times, and always translated "snuffers." A slightly different form of the word is translated "pruning-hooks "four times in the Prophets Isaiah, Joel, Micah. No doubt these snuffers were something different from the tongs of the preceding verse; the use of one may have been rather to cut the wicks, and the other to trim them. The spoons; Hebrew, כַף. This is the word used so often for the "hand," but the essential idea of which is the hollow of either hand or foot or other thing, and among other things of a spoon shape. The word is used of the frankincense-cups (Numbers 7:14, Numbers 7:20, Numbers 7:26) brought to the dedication of the tabernacle by the several princes. The censers; Hebrew, מַחְתּוֹת ,werbeH ;. These were "snuff-dishes" (Exodus 25:38; Exodus 37:23; Numbers 4:9). The entry of the house; Hebrew, פֶּתַח. Some think this word refers to the door-frames, as distinct from the door-leaves or doors themselves. But the parallel (1 Kings 7:50) gives us what is translated as "hinges" (Hebrew, פתֹ), a word that occurs only here in any such sense, as presumably (Gesenius, ' Lexicon ') "the hollowed part of a hinge," and Isaiah 3:17 for the pudenda muliebria. The mistaken transcribing of a kheth for a tau will amply account for the difference.

HOMILETICS

2 Chronicles 4:1-22

The altar, the sea, the light, and the bread.

The homiletics of this chapter, viewed in certain general aspects, have been already treated with those of 2 Chronicles 3:1-17. But it remains to notice other interesting and important aspects of the contents of this chapter. As soon as these are exhibited in such a manner as to make their relative importance apparent, they do indeed become of marked interest.

I. First, and no doubt first in importance, we read of the great ALTAR OF BRASS. The contents of the temple begin from this. The sacrifice is the great feature; nay, the great fact. of worship on the part of the Church on earth. By this early forecast of prophecy; by the earlier of the tabernacle; by the much earlier of the patriarchs' house and family; by one earlier even than that—by the earliest of all, just outside the garden of Eden, and "eastward" of it, and in the presence of "cherubim" and "flaming sword" there,—the sacrifice is what Scripture brings prominently to our view. Take note also of the "golden altar" (verse 19). Well may it be that, though in every corruptest form of religion, no heathen tribe that emerges to view in our wide fields of missionary enterprise needs to be taught one thing, viz. the place of "sacrifice and offering" in religion, the call for it, the efficacy of it. Can we deny, all charity granted, that the lesson all this teaches nothing short of blindness can fail to see and acknowledge!

II. We notice that, second in order, comes the great SEA OF MOLTEN BRASS, with its symbolic lily-flower ornamentation. The use of the "molten sea" is expressly stated. That use reminds us primarily of the need on the part of the priests of old, and of those of modern day, who in even a more real sense take their place, of all cleanness of hand, of deed, of word, of thought, of conscience; furthermore, of the perpetually recurring need of the cleansing and renewing of their spirit; and of this most solemn thought, that even in their holiest work impurity and defilement may be first contracted, and most disastrously. And then, by all most just and certain of inference, it reminds all believers, all servants of God and our Lord Jesus Christ, all saints and faithful, of their perpetual need of such purification as consists of self-examining and self-watching together with the direct and only all-sufficing sanctification of the Holy Ghost.

III. We notice, third in order, the TEN LAVERS. These, for the washing of the victims and sacrificial offerings themselves, remind us what pure offerings and genuine sacrifices all that we bring to God should be; broken and contrite hearts, simplest motives, genuine affections, and the outward objective gifts we bring, not merely ungrudged, but—best proof of the same—of our best, of what may have cost us self-denial, some preparation, some honest labour to make them a little less unworthy of the Master's work. To bring the blemished, to bring what we can so utterly dispense with, that we either do not know it is gone, or are glad to know it, is, in plain words, to bring polluted offerings.

IV. We find, next in order, the TEN GOLDEN CANDLESTICKS, each probably of sevenfold lamps. They were for actual light. They were typical of that yet more actual spiritual light that must ever be present in the true Church, must ever be witnessed to by it, and which must ever be shed forth from the true Church. We are not to forget that these, too, were made from the pattern shown in the mount. And the various and beautiful Scripture references to them are most animating to think of (see, for instance, Zechariah 4:1-3, Zechariah 4:11-14; Revelation 1:12, Revelation 1:13, Revelation 1:20; Revelation 2:1; Revelation 11:3-5).

V. We have next THE TEN TABLES on which was placed the shewbread, which lay there one week, and was after that to be eaten by the priests alone. Though it is not distinctly revealed what the twelve loaves of shewbread intended, the very mystery left hanging about it enhances our interest in it, since high importance is repeatedly attached to the mention of it. It must justly be regarded as an ordinance; it must surely typify nourishment, and that not the mere nourishment of the body, but of very spiritual life. It was the shewbread, i.e. of God; the presence-bread, i.e. of God. Was it not one perpetual standing type of the Bread of life—the Bread that was to come down from heaven for the life of the world?

And after these five leading declarations of the contents of the temple, and the preparation of them, there follow descriptions of several lesser ones, all beautiful, all pure and costly in their material, each with its distinct tributary service and use. Distinct attention may be invited to the seventeenth verse, specifying the place where King Hiram cast the precious metal vessels, and the pillars, etc. It must not be said that this statement may not be important, and may serve merely some perhaps evidential use at some time or another, in corroborating the general contents of this holy history.

Yet, if it be so, the mere suggestions it inevitably excites are worth giving some expression to. The moral suggestions of the clay ground and thickened clay, by help of which and in which the finest vessels, and most enduring monuments of metal were cast and fashioned, are fruitful. They may recall to us the very mould original of that body into which the Almighty breathed the breath of life, and countless instances in the history of the individual and of the Church, when the Master-Potter has indeed shown his sovereign power and unchallengeable right over the clay. Out of it, what vessels of grace and beauty and enduringness has not he fashioned! by aid of it, and all its humiliation, what grand results to character, discipline, and sanctification, has not he brought about! and—not the least encouragement to our faith and patience in trial, in affliction, in the horrible pit and miry clay—how has the very contrast astonished and delighted the beholding Church and world, between the methods used and the Divine results obtained! But the humble sufferer himself has been not a mere admiring beholder. His tears have been turned into smiles and joy; and even on earth he has learnt how the "suffering" has been outweighed beyond all estimate by gain, advantage, and that which he best knows to be the earnest of a certain "eternal weight of glory."

HOMILIES BY W. CLARKSON

2 Chronicles 4:1-6

Acceptable worship.

"He made an altar of brass." This is a simple sentence enough, but it is one which had a great significance to the people of God. For to that brazen altar they came for many generations, and there they either worshipped/ God and gained his Divine favour, or they failed to do the one and to secure the other. It was the place of sanctity or profanation, of victory or defeat. It, with the various regulations that applied to it and provisions that were made for it, taught them, and it teaches us—

I. THAT MAN MAY MEET WITH GOD, IN WORSHIP AND COMMUNION. God is not so far removed from us in his nature, nor are we so separated from him by our sin, but that he is willing to draw nigh to us, is indeed desirous of meeting us. He is the Infinite and Eternal One, imeasurably above us; but he is our heavenly Father, profoundly interested in us and mindful of us. He is the Holy One, who hates all manner of iniquity; but he is also the Merciful One, delighting to forgive and to restore. He, therefore, not only permits his human children to meet him at his altar, in the sanctuary, but he positively enjoins this as a sacred duty; he is displeased when we neglect to do so. But, apart from its obligatoriness, it is "a good thing" for us, an exalted privilege and a most valuable opportunity, "to draw nigh to God."

II. THAT THERE HE SHOULD SEEK GOD'S MERCY. This altar of brass was to receive sacrifices; and among these, sin offerings and trespass offerings were to be conspicuous. We are to draw near to the God whom we have grieved and wronged, with the language of confession on our lips, pleading the great sacrifice as a propitiation for our sin.

III. THAT THERE HE SHOULD DEDICATE (RE-DEDICATE) HIMSELF TO HIS SERVICE. Burnt offerings (holocausts) and peace offerings as well as sin offerings were presented at that brazen altar. In the house of the Lord we are to consecrate our whole selves to him, and are to recognize that all we have and are is his, to be spent in his fear and service.

IV. THAT HE MUST SEE TO IT THAT BOTH HIMSELF AND HIS SACRIFICE ARE PURE. In that "molten sea" (2 Chronicles 4:2) the priests were to wash, that they themselves might be unspotted when engaged in their sacred work. And in the layers (2 Chronicles 4:6) they were to wash "such things as they offered for the burnt offering," the "gifts and sacrifices themselves." Both offerers and offerings were to be perfectly pure when the Holy One of Israel was approached in worship. And with what purity of heart should we draw nigh to him now! It is only those who have "clean hands and a pure heart" that can "see God," or that will be accepted by him. It is only those who worship "in spirit" who worship him at all (John 4:24). And as now we all—the whole Christian community—are "priests unto God," and are charged to present "spiritual sacrifices" unto him, it becomes us to remember that both

2 Chronicles 4:7

Lights in the world.

There are many difficulties and disagreements about the spiritual significance of the temple furniture; but there is a general agreement as to the meaning of the "candlestick," or of these "ten candlesticks of gold" to which the text refers. As in the "Divine compartment" of the "most holy place" the Shechinah was the symbol of the Divine presence, and spoke of the Lord God of Israel as the one true Light of the world, so in the human department of the "holy place' these lights were the symbol of the Hebrew Church, regarded as the centre and source of light in the midst of surrounding darkness. And such it was. We may well regard ―

I. ISRAEL AS THE SOURCE OF LIGHT. Perhaps rather as the possessor than the source, for communication between neighbouring countries was very much more limited then than it is now; and it was in its later days that the Jew was such a traveller and such a propagandist. But from the time that God made himself and his will known to Moses, down to the birth of Christ, Divine truth was known in Israel as it was not known elsewhere, and "salvation was of the Jews," as our Lord declared. Comparing the theological and ethical ideas of the people of God with those of contemporary peoples, we see how really enlightened they were. And some of the most essential doctrines, on which all Divine wisdom, and all moral excellency, and all national prosperity, and all individual well-being must always rest, were carried by the worshippers of Jehovah to Egypt, to Persia, to Rome, to still more distant countries. The light that shone in the sanctuary went forth and illumined a large space.

II. THE CHRISTIAN CHURCH AS A SOURCE OF LIGHT. Said the great Teacher to his disciples, and through them to his Church for all time, "Ye are the light of the world." The Apostle Paul wrote to his converts at Ephesus, and through them to us, "Ye are light in the Lord." And it becomes us to do two things.

1. Manifest the great characteristic of light—purity. To "walk as children of light,… in all goodness and righteousness and truth" (Ephesians 5:8, Ephesians 5:9); as the servants of him who himself "is light, in whom is no darkness at all;" to be "holy as he is holy."

2. Discharge the great function of light—to reveal. To "make manifest" (Ephesians 5:13) those great verities which renew and sustain and ennoble us in heart and life. We are so to let our light shine that men may see our good works, and glorify our Divine Father. It does not take any prolonged study, or any range of experience, or any remarkable talent, to cause men to know the redeeming truths which restore them to God; which give them spiritual rest and abiding joy, and a hope that will not make ashamed; which build them up in manly virtues and in Christian graces; which prepare for the heavenly kingdom. Even the humbler disciples, who claim no rank in the community, may render this valuable service.

2 Chronicles 4:8

God's bounty and our response.

The significance of the table of shew-bread (of which Solomon, in his desire for fulness and richness of provision, now made ten) depends on its position and on the objects it was to sustain. The table stood in the "holy place," very near to the inner sanctuary, where the presence of God was symbolized; and it bore upon it the shewbread, or "bread of presence;" this was so called because it was "the shewbread before me always" (Exodus 25:30), continually in the presence of God. There were also some vessels (Exodus 25:29) which were probably intended to receive wine ("to pour out withal"), which was the ordinary accompaniment of bread, as the source of daily sustenance. The whole arrangement pointed to—

I. A CONTINUAL RECOGNITION OF DIVINE BOUNTY. The bread and wine which largely constituted and adequately represented the provision for the nation's need were placed in the near presence of God, as the One from whom they came. It was well that the Israelites should be continually acknowledging that the fruit of the field was of Divine origin. They were very mindful and very proud of the great gift of the manna, which was a palpable and very remarkable provision from above—a clear produce of the power and goodness of God. They would be in danger of thinking that there was less of the Divine in the annual harvest; for this was, in part, the result of their own labour, and came gradually, by ordinary and gradual processes of nature. But Divine goodness and power were as truly in the latter as in the former. From God himself came the soil, the seed, the sunshine, the rain, the airs and winds of heaven; from him came the power that made all these work together for the germination, growth, and ripening of the grain; from him also came the knowledge and the skill which enabled the farmer to cultivate his ground and to secure his harvest; it was also of God's goodness that he required of his children the putting forth of these powers, both of body and mind, on the exercise of which so largely depended their health and character. The shewbread and the wine, standing where they stood, were a perpetual acknowledgment that all things which sustained and strengthened the nation came from the Lord their God.

II. A SOLEMN DEDICATION OF HUMAN STRENGTH TO THE SERVICE OF GOD. It was significant enough that "pure frankincense [was to be placed] on each row" of the loaves or cakes (Le 2 Chronicles 24:7). "The offering of incense was embodied prayer, and the placing of a vessel of incense upon this bread was like sending it up to God on the wings of devotion" (Fairbairn's 'Typology'). It was, therefore, "a kind of sacrifice," and is spoken of (Le 2 Chronicles 24:7) as "an offering unto the Lord." To present to God those things which are the recognized sources of sustenance and strength, is to acknowledge that our power and our resources belong to him and should be paid to him; it is, indeed, solemnly to dedicate them to his service in formal worship. We do the same thing now in our harvest thanksgiving services, and when we sing in the sanctuary hymns ascribing all our comforts and all our well-being to the good hand of our God. We only "perform our vows" when we dedicate to God, in daily life, the strength and the possessions with which he has enriched us; when we live in grateful remembrance of his love, in cheerful obedience to his will. in active and earnest endeavour to serve his children and extend his kingdom.—C.

2 Chronicles 4:11-22

Completeness in Christian service.

Sacred service may be of two kinds: it may be feeble, slight, slovenly, wholly incomplete and unsatisfactory; or, on the other hand, it may be vigorous, effective, thorough, commanding the esteem of men and securing the commendation of Christ. The way in which Solomon's temple was built brings before us the more excellent order of service. It was characterized by—

I. SOLIDITY. The "two pillars" (2 Chronicles 4:12), and the character of the timber and of the gold, are suggestive of strength and solidity. Our work for Christ should have no slightness about it; it should be good, solid, durable; work that will resist the disintegrating forces about us; that may be "tried by fire" and still endure (see 1 Corinthians 3:12-15). For such a result we must not be content with stirring the emotions; we must convince the judgment, must produce conviction in the soul, must reach and win the whole spiritual nature.

II. BEAUTY. The strong pillars were ornamented with pommels, with wreaths, and pomegranates (2 Chronicles 4:12, 2 Chronicles 4:13). Beauty as well as strength was in the building of the temple, and should be in the sanctuary of God, in the service of Jesus Christ (Psalms 96:6). We should introduce into the work we do for our Master all the graces that we can bring—meekness of spirit, unselfishness of purpose, conciliatoriness of tone and temper, excellency of workmanship. On the top of the pillars should be pomegranates; covering and adorning our service should be sweetness and loveliness of manner and of spirit.

III. FITNESS. "In the plain of Jordan did the king cast them" (2 Chronicles 4:17). That was obviously a more fitting place for such an operation than the near neighbourhood of the site of the temple. Everything in its own time and place. That which is wholly unfitted for the sanctuary may be quite right and altogether suitable and desirable in the hall or in the home. The fitness or unfitness of the surroundings of a work may make all the difference between the excellent and the objectionable, between the useful and the harmful.

IV. ATTENTION TO THE MINUTE. "Hiram made the pots, and the shovels, and the basins" (2 Chronicles 4:11). "And the flowers, and the lamps, and the tongs, made he of gold, and that perfect gold" (2 Chronicles 4:21). Nothing was too small or too trivial to be made by this skilled artificer, or to be made by him with the best material. There is nothing we can do in the service of our Lord that is not honourable and worthy of our manhood; nothing that we should not do to the full height of our ability.

V. ABUNDANCE. (2 Chronicles 4:18.) It is not right that we should do our work in Christ's vineyard in a spirit of perfunctoriness, as the workman who will do no more than is imperatively demanded of him. Ours is not a slavery; nor are we hirelings. We are the children of God; we are the friends of Jesus Christ; we are co-workers with him; his interests are ours also; we long intensely for the coming of his kingdom. We shall not do stintingly or grudgingly what we do for him. We shall not count the hours, or the days, or the weeks we spend in his service; we shall not measure the powers we employ for his glory. We shall gladly pour forth all our faculties, shall give in "great abundance" of our resources, that his Name may be extolled, and that he may be made "very high."

VI. PURITY. All these things were made "of pure gold" (2 Chronicles 4:20, 2 Chronicles 4:22); the flowers, etc; of gold, "and that perfect gold" (2 Chronicles 4:21). The purest gold that could be obtained was used. The thought, the feeling, the energy, that is most perfectly refined of all dross of earthliness and selfishness, should be brought to the service of the Divine Redeemer.

VII. CONTINUANCE. "Hiram finished the work that he was to make" (2 Chronicles 4:11). "The end crowns the work." Well is it for the Christian workman when, having endured all criticisms, having borne all rebuffs, having met and mastered all difficulties, having submitted to all disappointments, having cheerfully wrought all his labours and having struck his last stroke, he can say, "I have finished the work which thou gavest me to do." For him is a generous commendation and a large reward (Matthew 25:23).—C.

2 Chronicles 4:11

The manufacture of the temple furniture.

I. THE CHERUBIM. (2 Chronicles 3:10-13.)

1. Their appearance. Colossal winged figures; but whether, like the cherubim of Ezekiel (Ezekiel 1:6) and of John (Revelation 4:7), possessed of four faces (of a man, of a lion, of an ox, of an eagle) and six wings, cannot be decided. Probably they had only one face, resembling that of a man. Unlike the cherubim in the tabernacle, which were "beaten out of one piece of gold" (Exodus 37:7), these were made of olive wood (1 Kings 6:23), presumably on account of its durability and firmness, qualities which induced the Greeks to select it as the best material out of which to construct idols (see Riehm, 'Handworterbuch,' art. "Oelbaum"). The woodwork was overlaid with gold.

2. Their dimensions. In height ten cubits (1 Kings 6:23); their wings were each five cubits long, or twenty cubits in all. They were thus twice as broad as high, and probably altogether double in size to those on the capporeth.

3. Their position. In the holy of holies, their feet upon the ground, their wings touching the walls on either side, and their faces directed towards the interior of the building, i.e. towards the holy place, whence only an intruder could enter the secret shrine. Underneath and between their outstretched wings, the ark, with the mercy-seat and the lesser cherubim, were subsequently placed (2 Chronicles 5:8).

4. Their meaning. That similar winged figures are met with in the mythologies and religions of Oriental peoples, in particular of the Egyptians and Assyrians, does not prove the cherubim of Jewish theology to have been derived from those. That in those the beast-figure prevails, while in these the human face predominates, marks an essential distinction between the two. Hence the notion that among the Hebrews the cherubim had no higher significance than such winged creatures had in Egypt, Assyria, or Babylon—were, in short, merely symbols of the underlying idea common to Oriental religions, that the life of nature is identical with the life of God (Bahr)—is to be rejected. So also is the opinion that they were purely mythical figures, like the Egyptian or Greek sphinxes (the former half-man and half-lion, the latter half-woman and half-lion), or like the colossal winged lions at the doors of Babylonian and Assyrian temples. That they represented real beings is now generally believed (Hofmann, Kurtz, Keil, Kliefoth, and others), and appears implied in the passage where they are first mentioned (Genesis 3:24). That they belonged to the same order of super-terrestrial existences as the angels and the seraphim of Scripture seems a necessary inference, from the fact that all three—angels (Psalms 68:17), seraphim (Isaiah 6:2), and cherubim (2 Samuel 22:11; Psalms 18:10)—are depicted as attending Jehovah in his theophanies, or manifestations of himself to men. That they were different from angels may be inferred from the fact that these are never exhibited as winged, and are usually represented as Jehovah's messengers (Psalms 104:4), which the cherubim never are. It is not so certain that they were different from the seraphim, or shining ones (Isaiah 6:2): who in appearance, situation, and function resembled them, having six wings, appearing always in the vicinity of the self-revealing Jehovah, and proclaiming aloud the presence of his glory. Yet from the fact that they are commonly exhibited as bearers or upholders of the Divine throne (Ezekiel 1:26), whereas the seraphim surround the throne (Isaiah 6:2), it may be concluded that the two, though belonging to the same order, were not the same species of being (cf. Delitzsch on Isaiah to Isaiah 6:2). At the same time, whilst holding the cherubim to have been images intended to represent real existences, it need not be assumed that the actual cherubim had really the four faces of a man, of a lion, of an ox, and of an eagle. These belong to the department of symbology, in which supersensuous ideas are set forth in sensuous images. Hence, inasmuch as the human face represents the notion of intelligence, the leonine that of strength, the bovine that of endurance, and the aquiline that of keenness of vision, combined perhaps with the idea of swiftness of motion, the ascription of these to the cherubim can only mean that these heavenly beings were possessed of all the elements of a perfect life, and, as the crown and summit of creation, stood nearest God.

5. Their function. Comparing the Scriptures in which they are alluded to, the following may be regarded as the complex function performed by the cherubim:

II. THE ALTAR OF INCENSE. (Verse 19.)

1. Its material. Like the other articles in the interior of the house, it was made of cedar wood and overlaid with gold (1 Kings 7:48). That in the tabernacle was formed of shittim wood overlaid with gold; was two cubits high, one long, and one broad; was furnished with a covering, and horns of the same wood overlaid with gold (Exodus 37:25).

2. Its position.

3. Its use. As in the tabernacle (Exodus 37:29), so in the temple, it was intended for the burning of fragrant incense before the holy of holies day and night, to symbolize the adoration of Jehovah's worshipping people.

III. THE CANDLESTICKS. (Verse 7.)

1. Their number. Ten. This was demanded by the larger dimensions of the temple in comparison with the tabernacle, which con-rained only one.

2. Their form. Each seven-branched, as in the tabernacle, i.e. consisting of a main stalk with three branches on either side, rising to the same height as that, each of the six branches and the middle stalk being crowned with a lamp (Exodus 25:31, etc.; Exodus 37:17, etc.).

3. Their ornaments. Bowls, knops, and flowers, as in the tabernacle candlestick, seeing that each in the temple was constructed "according to its form."

4. Their utensils. Snuffers and basins; the former to trim the wicks, the latter to receive what was removed by the process.

5. Their use. To keep a light continually burning in the holy place and before the holy of holies (Exodus 25:37; Exodus 27:20). Their material.

6. Of gold (verse 7), pure (verse 20), and perfect (verse 21). In this, again, they resembled the candlestick in the tabernacle (Exodus 25:31).

7. Their position. In the holy place, before the oracle, five on either side.

8. Their significance. To symbolize either

IV. THE TABLES OF SHEWBREAD. (Verses 8, 19.)

1. Their number. Ten; in the tabernacle, one.

2. Their position. Five on either side of the holy place. The one table in the tabernacle stood upon the side of the tabernacle northward, without the veil (Exodus 40:22).

3. Their material. Of gold (1 Chronicles 28:16).

4. Their purpose. To receive and set forth the shewbread, or the loaves of unleavened bread, twelve on each table, which were commanded to be set before the face of Jehovah continually (Exodus 25:30).

5. Their significance. To symbolize religious truths which it concerned Israel to know. The "face loaves" were so called, not because with them or the eating of them the sight of God's face was associated, but because they stood continually in God's presence as emblematic

V. THE BRAZEN ALTAR. (Verse 1.)

1. Its position. In the interior of the fore court (1 Kings 8:22, 1 Kings 8:64).

2. Its dimensions. Twenty cubits long, twenty broad, and ten high.

3. Its material. Brass.

4. Its use. To offer thereupon the burnt offerings presented by the worshippers who came to the temple.

VI. THE MOLTEN SEA. (Verses 2-5.)

1. Its appearance. A huge metallic basin, sup- ported on the backs of twelve metallic oxen—"three looking toward the north, three looking toward the west, three looking toward the south, and three looking toward the east," all having their hinder parts inward. The basin had the form of a cup, decorated on the brim with flowers of lilies, underneath the brim with two rows of "knops," ten in a cubit, therefore with three hundred in all, compassing the basin around (verse 4; cf. 1 Kings 7:28).

2. Its size. Ten cubits in diameter and thirty in circumference, five cubits high and a handbreadth in thickness, with a capacity of three thousand, or, according to a more accurate measurement (1 Kings 7:26), two thousand baths, i.e. upwards of twelve thousand gallons. With this may be compared the basin borne by twelve lions in the Alhambra at Granada, and the two giant sandstone vases which were found by Muller at Amathus in Cyprus, each of which was oval-shaped, thirty feet in circumference, had four handles, and rested on eight bulls, four in each half- round of the oval (see in Herzog and in Riehm, art. "Meer ehernes").

3. Its situation. Between the brazen altar and the porch, on the right side of the west end, over against the south of the court (verse 10).

4. Its use. For the priests to wash in when they came to engage in the sacrificial worship of the sanctuary (verse 6; cf. —Exodus 30:19-21).

5. Its significance.

6. Its history. In after years it was taken down from off the brazen oxen by Ahaz and set upon a pavement of stones (2 Kings 16:17); it was ultimately broken in pieces by the Chaldeans, and its brass conveyed to Babylon (2 Kings 25:13). The brazen oxen the Chaldean general transported as booty to the East (Jeremiah 52:20).

VII. THE LAVERS. (Verse 6.)

1. Their material. Brass.

2. Their number. Ten.

3. Their position. Five on the right and five on the left of the brazen altar.

4. Their appearance. Basins resting upon bases or pedestals with wheels (verse 14), of which a minute description is given in the First Book of Kings (John 7:27-37).

5. Their dimensions. Every laver or basin four cubits in diameter.

6. Their contents. Forty baths, or two hundred and forty gallons.

7. Their use. To wash the victims in when these were brought to the priests to be offered upon the altar.—W.

2 Chronicles 4:17

An ancient manufactory.

I. To WHOM IT BELONGED. To Solomon the king.

II. WHERE IT WAS SITUATED. In the clay ground between Succoth and Zeredathah, both of which were in the plain of Jordan.

III. BY WHOM IT WAS MANAGED. By Hiram the artist.

IV. THE FABRICS IT PRODUCED. The articles above described, all the vessels for the house of God.—W.